LIQUID ASSET - TRITON MAGAZINE

Polynesian originator, fun-in-the-sun enthusiast, counter-cultural vanguard. That’s pretty much how things went for the image of the wave-rider, from surfing’s inception all the way to the early 1970’s, when young practitioners started routinely shunning the establishment and ditching class left and right. Once Fast Times at Ridgemont High hit theaters, it simply catalyzed a freshly gelling reputation—surfers, as far as the general public could tell, now held ground somewhere between pathological deadbeats and brain-dead hippies...{Read more!}